Wednesday, November 27, 2019
How to Learn to Stop Worrying and Impress your New Boss
How to Learn to Stop Worrying and Impress your New Boss How to Learn to Stop Worrying and Impress your New Boss One good way to prepare yourself for a new position is to take some time to clear your palate. Take a week or two between jobs to adjust to the transition and refresh. This alone can help your demeanor and energy level which will reflect positively on how people see you. Another pre-first day activity can be to memorize the names and titles of the individuals you met at the interview. Greet them on the first day and share your gratitude and display your eagerness and willingness to be joining the team.Arriving early on the first day will keep you from feeling rushed and flustered as you attempt to adapt to new surroundings and find your way around. At the end of the day, remain at your station at least until everyone else leaves. No early days especially during the first several weeks of work. You will undoubtedly encounter situations early on that require asking others f or help. Be koranvers to show your appreciation to everyone who helps guide you through the learning process.Keep track of your organizations standard operating procedures. You may need to keep a journal at first to keep everything straight but it will help to make you look like a quick study. Also, get to know your boss. The more you know of what he or she expects of you, the better you can adjust your interactions to best suit his or her preferences. When receiving task instructions, clarify the priority issues so that they can be addressed immediately and determine the preferred frequency of updates. One of the best ways to know what is expected of you is to understand how you will be evaluated. Ask how your performance will be judged so that you can focus your efforts on the tasks most relevant to those aspects of your job.Get to know your colleagues. Developing professional relationships with the people you will work with on a regular basis is necessary when developing an atmos phere of trust and information sharing. As your boss and teammates come to know you better and understand your abilities more thoroughly, they will begin to feel confident with expanding your workload and heightening your responsibility. Finally, work to make your boss and co-workers look good. Share credit where it is due and dont participate in the gossip mill. The more you avoid the political games within the office place, the better positioned you will be to make and keep as many friends as possible.
Friday, November 22, 2019
Transportation Management CoordinatorMOS 88N
Transportation Management CoordinatorMOS 88NTransportation Management Coordinator- MOS 88NTransportation Management Coordinators are primarily responsible for scheduling and selecting the modes of transportation for personnel and equipment. Duties Performed by Soldiers in this MOS Advises military and Department of Defense civilians of their entitlement for shipment of personal property and passenger travel and prepares the necessary documentation. Requests and coordinates transport capability to meet a movement mission. Marks and labels cargo and freight shipments in accordance with regulatory requirements. Documents and inventories freight, cargo, and materiel shipments of all types operates automated data terminal equipment to prepare movement documentation or related correspondence. Arranges documentation and reports for follow-up or response to tracer actions. Prepares transportation movements documents and related forms for the type of shipment and mode of travel. Performs office duties such as posting regulations, files maintenance, and routine office correspondence. Provides supervision and technical guidance for subordinates. Researches, interprets, prepares, and coordinates actions pertaining to travel entitlement. Functions as the customs officer for shipment releases in overseas theaters. Operates as quality control noncommissioned officer for commercial movement contracts. Monitors all freight, cargo, and materiel shipments to ensure accountability identifies and reports problem areas within the traffic management system to prevent additional costs, losses, and damage. Conducts briefings for unit moves. Requests, coordinates, and monitors movement schedules and programs ensures transport capability is appropriate, cost effective, and meets mission requirements. Checks and inspects equipment blocking and bracing. Prepares and consolidates transportation movement reports. Operates automated data processing equipment to document movement informati on, contracts, and responds to shipment inquiries, discrepancies, and routine movementtransactions. Training Information Job training for a transportation management coordinator requires 10 weeks of Basic Combat Training and six weeks of Advanced Individual Training with on-the-job instructions. parte of this time is spent in the classroom and part in the field. ASVAB Score Required 95 in aptitude area CL Security Clearance None Strength RequirementModerately heavy Physical Profile Requirement 323222 Other Requirements None Similar Civilian Occupations The skills you learn will help prepare you for a career with transportation and logistic companies.
Thursday, November 21, 2019
Death Masks Printed in 3D
Death Masks Printed in 3D Death Masks Printed in 3D Death Masks Printed in 3DIn late November, Vespers, a series of death masks konzeptioned and printed in three dimensions by Neri Oxman and her group at the MIT Media Lab, went on display at the Londons Design Museum Fear and Love exhibit.Vespers demonstrates how fear and love, death and life, are entwined. The masks play with the complexity found in nature and in computational techniques, Oxman says.A professor at the MIT Media Lab, Oxman leads the Mediated Matter Group, which creates biologically inspired design fabrication tools that serve as a bridge between the natural and the man-made environments.For example, the death masks, which have been divided into three series, are made up of five masks each and are on display sequentially at the museum through April 23.In the past, death masks were made of a single material, such as wax or plaster, poured over a recently deceased persons face. They were a way to keep the dead alive in memory. The masks were also believed to strengthen the spirit of the deceased and guard their soul from evil spirits on their way to the afterworld, Oxman says.Her team sought a way to marry the art and design of these masks and the civilizations they sprang from with todays most advanced technologies, she adds.The first mask in the Past series. Image Danielle van ZadelhoffWith that in mind, she and her team called upon computer modeling and 3D printing technologies to bring the masks to into the present and thus explore their deeper meanings, Oxman says.Oxmans Mediated Matter Group team was comprised of Christoph Bader, Dominik Kolb, Rachel Smith, and Sunanda.The Vespers show is the second series of The New Ancient collection at the museum, which is sponsored by the 3D printing company Stratasys. The masks were designed within a computer program developed at the MIT Media Lab and printed with a Stratasys printer.The masks are made from natural minerals. The colorful swirling layers were inspired by one of Oxmans previous masks, named Lazarus, and are intended as a reference to the Biblical Lazaruss last breath, she says.The group designed the inner structures of the masks to match the resolution of structures found in nature, Oxman adds.The death masks depict five imaginary martyrs. Each martyr is memorialized three times, through interpretations at moments in their past, present, and future, Oxman says. Thus, the exhibits 15 masks are divided into three categories Past, Present, and Future, each of which will be displayed separately.Past looks at historic origins and explores life through the lens of death. Inspired by ancient masks, the series uses five material combinations to emulate colors commonly found in cultural artifacts across regions and eras.Present explores the transition between life and death and reflects the progression of the death mask from a symbolic cultural relic in Past to a functional biological interface in the Future. Visually, the s urface colorations and geometries seen in the first series are transformed into volumetric material distributions housed within transparent, smoothly curved dome-like structures in the second, Oxman says.The masks seen in Future are somewhat biologically augmented in their design. The changes are used to explore whether the death mask can drive the formation of new life. The masks are seen in this series as objects that can serve as an interface with living organisms, she adds.Many of the Mediated Matter Groups projects use 3D printing and fabrication techniques. They include the Silk Pavilion, spun by silkworms released onto a nylon frame, G3DP, a 3D printer that prints in glass along with a set of glasswork produced by it, and collections of 3D printed clothing and wearables worn in couture shows and by performers like Bjrk.In June 2013s Silk Pavilion, the MIT researchers created a dome from silk fibers woven by a robotic arm and finished by live silkworms at the lab. The team pro grammed the robotic arm to imitate the way a silkworm deposits silk to build its cocoon. The arm then deposited a one-half-mile-long silk fiber across flat polygonal metal frames to create 26 panels. ansicht panels were arranged to form a dome, which was suspended from the ceiling.The next year, in November 2014, the team created four 3D printed wearable skins designed to facilitate synthetic biological processes that might one day allow humans to survive on other planets, according to Oxman.For that display, they also collaborated with Stratasys to create structures with varied rigidity, opacity and color. They used the 3D printer to 3D print the skins in a range of plastics with different densities, each one suited to a different planet in the Earths solar system.The future of wearables lies in designing augmented extensions to our own bodies, that will blur the boundary between the environment and ourselves, said Oxman at the time skins were displayed within the lab.The masks too serve as extensions of the human body. Shell continue to work at the intersection of the human body, the environment, and advanced design and printing techniques, she says.Jean Thilmany is an independent writer. For Further Discussion The masks seen in Future are somewhat biologically augmented in their design. The changes are used to explore whether the death mask can drive the formation of new life. Prof. Neri Oxman, MIT Media Lab
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